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Nia DaCosta

CTL-P-1160 · Person

STRONG EVIDENCE evidence grade — master store (canonical CSV)

Combined Graph record U-03098 · provenance: canonical master store (CSV), record CTL-P-1160. Master record source: User-supplied article 2026-10-16 (UrbanGeekz) — UNVERIFIED, verify before public citation.

Seed article profiles Nia DaCosta as a director (Little Woods, Candyman, The Marvels) and states she 'wrote and directed Hedda (2025)' — roles film director/screenwriter supported claim-by-claim in the article.

Answer summary · this record in brief, from its own record text

Seed article profiles Nia DaCosta as a director (Little Woods, Candyman, The Marvels) and states she 'wrote and directed Hedda (2025)' — roles film director/screenwriter supported claim-by-claim in the article.

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Evidence note (master store)

Seed article profiles Nia DaCosta as a director (Little Woods, Candyman, The Marvels) and states she 'wrote and directed Hedda (2025)' — roles film director/screenwriter supported claim-by-claim in the article.

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Record CTL-P-1160 · Combined Graph record U-03098 · CultureTechLens Knowledge Graph · 1 source · 5 mapped relationships.
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Researched and maintained by the CultureTechLens research program · CultureTechLens Combined Graph, Release 2026-11-04. Corrections are public: the corrections log.

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Cite as: CultureTechLens, “Nia DaCosta (CTL-P-1160),” CultureTechLens Combined Graph, Release 2026-11-04. https://culturetechlens.com/graph/entities/ctl-p-1160/

Chicago: CultureTechLens. “Nia DaCosta (CTL-P-1160).” CultureTechLens Combined Graph. Chicago, IL: CultureTechLens, 2026. https://culturetechlens.com/graph/entities/ctl-p-1160/
APA: CultureTechLens. (2026). Nia DaCosta (CTL-P-1160) [Entity record]. CultureTechLens Combined Graph. https://culturetechlens.com/graph/entities/ctl-p-1160/
MLA: CultureTechLens. “Nia DaCosta (CTL-P-1160).” CultureTechLens Combined Graph, 2026, https://culturetechlens.com/graph/entities/ctl-p-1160/

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Jacking up a car on the repair tracks at an Illinois Central Railroad yard, Chicago, Chicago, 1942 — CultureTechLens
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