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vogue

CTL-W-0272 · Work · 1980s

VERIFIED evidence grade — master store (canonical CSV)

Combined Graph record U-00673 · provenance: canonical master store (CSV), record CTL-W-0272. Master record source: CTL seed 2026-10-16 — UNVERIFIED, verify before public citation.

Smithsonian NMAAHC, 'A Brief History of Voguing' by Tsione Wolde-Michael (fetched in full): Harlem was 'the birthplace of "vogue", a highly stylized form of dance created by black and Latino LGBTQ communities. Between the 1960's and 80's New York drag competitions known as "balls" transformed... to "vogue" battles... vogue took from the poses in high fashion and ancient Egyptian art.' Stored meaning 'stylized pose-dance', era '1980s', and era_note 'Harlem ballroom culture' all supported.

Answer summary · this record in brief, from its own record text

Smithsonian NMAAHC, 'A Brief History of Voguing' by Tsione Wolde-Michael (fetched in full): Harlem was 'the birthplace of "vogue", a highly stylized form of dance created by black and Latino LGBTQ communities. Between the 1960's and 80's New York drag competitions known as "balls" transformed... to "vogue" battles... vogue took from the poses in high fashion and ancient Egyptian art.' Stored meaning 'stylized pose-dance', era '1980s', and era_note 'Harlem ballroom culture' all supported.

The record

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Evidence note (master store)

Smithsonian NMAAHC, 'A Brief History of Voguing' by Tsione Wolde-Michael (fetched in full): Harlem was 'the birthplace of "vogue", a highly stylized form of dance created by black and Latino LGBTQ communities. Between the 1960's and 80's New York drag competitions known as "balls" transformed... to "vogue" battles... vogue took from the poses in high fashion and ancient Egyptian art.' Stored meaning 'stylized pose-dance', era '1980s', and era_note 'Harlem ballroom culture' all supported.

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Record CTL-W-0272 · Combined Graph record U-00673 · CultureTechLens Knowledge Graph · 1 source.
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Researched and maintained by the CultureTechLens research program · CultureTechLens Combined Graph, Release 2026-11-04. Corrections are public: the corrections log.

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Cite as: CultureTechLens, “vogue (CTL-W-0272),” CultureTechLens Combined Graph, Release 2026-11-04. https://culturetechlens.com/graph/entities/ctl-w-0272/

Chicago: CultureTechLens. “vogue (CTL-W-0272).” CultureTechLens Combined Graph. Chicago, IL: CultureTechLens, 2026. https://culturetechlens.com/graph/entities/ctl-w-0272/
APA: CultureTechLens. (2026). vogue (CTL-W-0272) [Entity record]. CultureTechLens Combined Graph. https://culturetechlens.com/graph/entities/ctl-w-0272/
MLA: CultureTechLens. “vogue (CTL-W-0272).” CultureTechLens Combined Graph, 2026, https://culturetechlens.com/graph/entities/ctl-w-0272/

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Negro swinging his girl on roller skates. Savoy Ballroom, Chicago, Illinois, Chicago, 1941 — CultureTechLens
Negro swinging his girl on roller skates. Savoy Ballroom, Chicago, Illinois, Chicago, 1941 — CultureTechLensPhoto: Lee, Russell, 1903-1986, FSA-OWI, Public Domain, via Library of Congress
Shoeshine, 47th Street, Chicago's main Negro business street, Chicago, Illinois, Chicago, 1941 — CultureTechLens
Shoeshine, 47th Street, Chicago's main Negro business street, Chicago, Illinois, Chicago, 1941 — CultureTechLensPhoto: Rosskam, Edwin, 1903-1985, FSA-OWI, Public Domain, via Library of Congress
Apartment houses and funeral parlor in Negro section of Chicago, Illinois, Chicago, 1941 — CultureTechLens
Apartment houses and funeral parlor in Negro section of Chicago, Illinois, Chicago, 1941 — CultureTechLensPhoto: Lee, Russell, 1903-1986, FSA-OWI, Public Domain, via Library of Congress

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