Lady

CultureTechLens

CTL-W-0832 · Work

STRONG EVIDENCE evidence grade — master store (canonical CSV)

Combined Graph record U-01325 · provenance: canonical master store (CSV), record CTL-W-0832. Master record source: CTL seed 2026-10-16 — UNVERIFIED, verify before public citation.

Artist: Fela Kuti (composer/primary artist; performances by his Africa 70 band). Title: 'Lady' — the fetched review (Alex Henderson) states Shakara 'consists of two 13-minute performances by Kuti's Africa 70 band: "Lady" and "Shakara (Oloie)"'. Year: the fetched releases list includes '1972 Digital | Shakara — Knitting Factory Records' — matches stored year 1972.

Answer summary · this record in brief, from its own record text

Artist: Fela Kuti (composer/primary artist; performances by his Africa 70 band). Title: 'Lady' — the fetched review (Alex Henderson) states Shakara 'consists of two 13-minute performances by Kuti's Africa 70 band: "Lady" and "Shakara (Oloie)"'. Year: the fetched releases list includes '1972 Digital | Shakara — Knitting Factory Records' — matches stored year 1972.

The record

Year: 1972
Work type: song

Relationships

Fela Kuti — authored by
STRONG EVIDENCE

Sources

https://www.allmusic.com/album/shakara-mw0000951377 (verification source · master store)

Evidence note (master store)

Artist: Fela Kuti (composer/primary artist; performances by his Africa 70 band). Title: 'Lady' — the fetched review (Alex Henderson) states Shakara 'consists of two 13-minute performances by Kuti's Africa 70 band: "Lady" and "Shakara (Oloie)"'. Year: the fetched releases list includes '1972 Digital | Shakara — Knitting Factory Records' — matches stored year 1972.

More work records

Browse the full directory: all entity records

Record CTL-W-0832 · Combined Graph record U-01325 · CultureTechLens Knowledge Graph · 1 source · 1 mapped relationship.
Directory: all entity records · the knowledge graph

Researched and maintained by the CultureTechLens research program · CultureTechLens Combined Graph, Release 2026-11-04. Corrections are public: the corrections log.

Cite this record

Cite as: CultureTechLens, “Lady (CTL-W-0832),” CultureTechLens Combined Graph, Release 2026-11-04. https://culturetechlens.com/graph/entities/ctl-w-0832/

Chicago: CultureTechLens. “Lady (CTL-W-0832).” CultureTechLens Combined Graph. Chicago, IL: CultureTechLens, 2026. https://culturetechlens.com/graph/entities/ctl-w-0832/
APA: CultureTechLens. (2026). Lady (CTL-W-0832) [Entity record]. CultureTechLens Combined Graph. https://culturetechlens.com/graph/entities/ctl-w-0832/
MLA: CultureTechLens. “Lady (CTL-W-0832).” CultureTechLens Combined Graph, 2026, https://culturetechlens.com/graph/entities/ctl-w-0832/

Citation guidance for teachers, journalists, and funders: How to Cite Us.

From the Archive

The archive in pictures

The people, places, and institutions this work documents. Photographs from the CultureTechLens research record — rights-cleared, credited, and cited like everything else here.

The Overton Hygienic Building, 3619–6227 S. State St., Chicago — Anthony Overton’s Black Metropolis business headquarters — CultureTechLensPhoto: Andrew Jameson, CC BY-SA 3.0, via Wikimedia Commons

The Chess Records studio booth during restoration, Chicago — CultureTechLensPhoto: get directly down, CC BY 2.0, via Wikimedia Commons

Ida B. Wells — portrait from ‘Women of Distinction’ (1893) — CultureTechLensPhoto: Public Domain (from ‘Women of Distinction,’ 1893), via Wikimedia Commons

Trust & evidence

Evidence before authority. CultureTechLens publishes its methods, its limits, and its corrections alongside its findings. Claims carry grades — VERIFIED, SUPPORTED, PROVISIONAL, DISPUTED, UNRESOLVED — and unknowns are never reported as zero.

Every claim graded. Every source named. Every correction public — see the corrections log.